Khamosh! Shatrughan Sinha’s Dialogic Bravado and Political Turn

             In the grand tapestry of Indian cinema and politics, few figures have managed to wield influence across both domains as distinctively as Shatrughan Sinha. With his trademark baritone and the iconic catchphrase “Khamosh!” echoing through the silver screens of the 1970s and 1980s, Sinha etched himself into the hearts of millions. But the journey from the celluloid stage to the Lok Sabha was no less dramatic than his on-screen avatars. This chapter delves into the compelling life story of Shatrughan Sinha - actor, politician, friend, and family man - who carved his path with audacity, wit, and sheer resilience.

 Early Life and Formative Years

             Born on December 9, 1945, in Patna, Bihar, Shatrughan Prasad Sinha was the youngest of four brothers. His father, Bhubaneswari Prasad Sinha, was a civil servant, and his mother, Shyama Devi, ensured the family grew up with discipline and values. The young Shatrughan exhibited a rebellious streak early on, often clashing with the conventional academic path.

             He studied at Patna Science College before making a surprising pivot to film studies. Inspired by cinema and theatre, he enrolled at the prestigious Film and Television Institute of India (FTII), Pune. His batchmates included the likes of Jaya Bachchan and Danny Denzongpa, and he soon emerged as a promising talent. His decision to join FTII, against family wishes, marked the first of many defiant acts that would define his life.

 The Cinematic Ascent: Villain to Hero

             Shatrughan Sinha made his debut in 1969 with a small role in Mohan Sehgal’s “Sajan”. His distinctive voice, unconventional looks, and intense screen presence soon caught the eye of casting directors. Though he initially found roles as a villain or supporting actor in films like “Pyar Hi Pyar” (1969), “Banphool” (1971), and “Raampur Ka Lakshman” (1972), it was evident that a new kind of hero was emerging - one who didn’t conform to the traditional suave, fair-skinned romantic lead.

             His breakthrough came with “Kalicharan” (1976), directed by Subhash Ghai. Here, Sinha transitioned successfully into a heroic lead, playing a double role with flair. The audience embraced his tough-guy persona, complete with explosive dialogues and a sardonic wit. Films like “Vishwanath” (1978), “Dostana” (1980), “Shaan” (1980), and “Kranti” (1981) consolidated his position as one of Bollywood’s most bankable stars.

             His collaborations with top directors like Manmohan Desai, Prakash Mehra, and Ramesh Sippy ensured a steady stream of hits. Sinha’s roles often blended action with humour, and he became a crowd-puller especially in North India, where his rustic charm resonated deeply.

 The Voice that Roared: Dialogues and Diction

             Shatrughan Sinha’s unique selling point was his dialogue delivery. Unlike the polished tones of many of his contemporaries, Sinha embraced his Bihari roots. His diction, laced with dramatic pauses and unpredictable inflections, made every line memorable. His famous catchphrase, “Khamosh!” became a cultural phenomenon.

            This bold voice also symbolized a deeper persona - a man unafraid to speak truth to power, on and off-screen. In films like “Kala Patthar” (1979) and “Dostana” (1980), he stood out despite sharing screen space with titans like Amitabh Bachchan. His flair for improvisation made his performances fresh and unpredictable.

 Personal Life: Marriage and Family

             In 1980, Shatrughan Sinha married Poonam Chandiramani, a former Miss Young India and a fellow actor. Their marriage, though inter-caste and controversial at the time, stood the test of time. Poonam brought balance to Shatrughan’s often tempestuous life. The couple has three children - Sonakshi Sinha, the Bollywood actress, and twins Luv and Kush Sinha.

             Despite the demands of stardom and later politics, Sinha remained a family-oriented man. His relationship with his daughter Sonakshi, in particular, has been highlighted often in interviews. He played a key role in encouraging her entry into films, though he was initially hesitant.

 Shatrughan and Dharmendra: A Brotherhood Beyond Frames

             One of the most enduring friendships in Bollywood has been between Shatrughan Sinha and Dharmendra. Despite both being action heroes and often competing for similar roles, their camaraderie was legendary. Dharmendra, the suave Punjabi Jat, and Sinha, the raw Bihari, shared a brotherly bond.

             They co-starred in several films including “Black Mail”, “Dost”, “Loha”,  “Putt Jattan De” (Punjabi), etc.  Off-screen, they were thick friends. Sinha often recounted how Dharmendra supported him during personal and professional lows. Their friendship continued even as both entered politics.

 The Political Leap: From Star Power to People’s Power

             In the early 1990s, Shatrughan Sinha took the plunge into politics, joining the Bharatiya Janata Party (BJP). His charisma and mass appeal made him an ideal candidate. In 1996, he was elected to the Lok Sabha from Patna Sahib. He was re-elected multiple times and served as a Union Cabinet Minister handling Health and Family Welfare, and later, Shipping.

             Sinha brought the same firebrand style to politics that he had displayed in cinema. His speeches were bold, witty, and often peppered with his film dialogues. Yet, he wasn’t merely style - he took his ministerial duties seriously and was known for being accessible to his constituents.

            Despite his loyalty, Sinha did not shy away from criticizing his own party. His differences with the BJP leadership, especially post-2014, became increasingly public. He eventually joined the Indian National Congress in 2019 and later switched to the All India Trinamool Congress (TMC), continuing his political journey from Asansol, West Bengal.

 Trials and Triumphs: Setbacks and Reinventions

             Like many stars, Sinha faced both career slumps and personal challenges. His later films didn’t fare as well, and his outspoken nature often brought him into political crossfires. Yet, he remained undeterred. In 2016, he released his autobiography, “Anything But Khamosh”, co-authored by Bharathi S Pradhan. The book offered candid insights into his life, struggles, controversies, and philosophies.

             His willingness to accept mistakes, acknowledge rivals like Amitabh Bachchan, and speak fondly of friends like Dharmendra showed a mature man unburdened by ego. Sinha remains one of the few stars who successfully transitioned into politics without shedding his cinematic persona.

 Legacy: The Star Who Spoke

             Shatrughan Sinha’s legacy is multifaceted. In cinema, he broke stereotypes and redefined the macho hero archetype. As a politician, he proved that stardom could translate into meaningful public service. His children, especially Sonakshi, have continued his cinematic lineage, while his political commentary remains sharp and influential.

             Perhaps what sets him apart most is his commitment to voice - a voice that questioned, entertained, and inspired. Whether in a courtroom drama, a cabinet meeting, or a television interview, when Sinha spoke, people listened.

Conclusion: Khamosh? Never.

             For a man known for silencing others on screen, Shatrughan Sinha himself never chose silence. His life has been a celebration of expression, courage, and transformation. From a Bihari boy with a dream to a national icon with a cause, Sinha’s journey exemplifies the power of voice.

             As India continues to evolve, his story remains a testament to the enduring bond between cinema and democracy, glamour and grit, reel and real. Shatrughan Sinha is not just a name. He is an attitude. A signature. And above all, a voice that refuses to be silenced.

Silence, Solitude, and Sensitivity - Sanjeev Kumar’s Portraits of Imperfection

A Life in Shadows and Spotlight

            In the annals of Indian cinema, few actors embody the quiet gravitas and emotional honesty that Sanjeev Kumar brought to the screen. He was not a conventional hero with dashing good looks or a melodramatic flair, but rather a performer of profound subtlety. Sanjeev Kumar lived through roles that demanded inner turmoil, physical limitations, solitude, and even old age - often while still in his 30s. His career was a masterclass in portraying the imperfect man: frail yet strong, broken yet resilient, vulnerable yet enduring.

            Born as Haribhai Jariwala on July 9, 1938, in Surat, Gujarat, into a Gujarati-speaking family, Sanjeev Kumar grew up far from the glamor of the Hindi film industry. His early life was shaped by modest means, and the dream of acting grew slowly within him. He moved to Mumbai with aspirations of entering films and joined the Indian People’s Theatre Association (IPTA) and later the prestigious Filmalaya Acting School. Even in his early theatre days, Kumar showed a flair for mature and emotionally layered roles.

            What set Sanjeev Kumar apart from his contemporaries was not just his range, but his rejection of cinematic vanity. He aged on-screen with such sincerity that it felt real - because, in some ways, he was an old soul in a young body.

Early Films and Artistic Breakthroughs

            Sanjeev Kumar made his film debut in 1960 with a small role in the film Hum Hindustani. However, his breakthrough came with the 1968 movie Shikar, where he played a police inspector. The film's success put him on the radar of producers and directors, but it was his performance in Khilona (1970) that earned him his first Filmfare Best Actor Award nomination and established him as a leading actor capable of carrying complex emotional narratives.

            The same year, Dastak (1970), directed by Rajinder Singh Bedi, brought him critical acclaim and his first National Film Award for Best Actor. In Dastak, he played a newlywed man whose marriage is shaken by the disturbing realities of living in a red-light district. Kumar’s portrayal of quiet suffering and emotional unraveling was a revelation. He communicated pain not through tears, but through pauses, stillness, and eyes that seemed to carry lifetimes.

The Chameleon of Indian Cinema

            What followed was a prolific phase where Sanjeev Kumar became a sought-after actor not because he conformed to Bollywood's formula, but because he broke it.

            In Koshish (1972), directed by Gulzar, Sanjeev Kumar played a deaf and mute man opposite Jaya Bhaduri. The film was revolutionary for its time, portraying a differently-abled couple navigating life’s challenges with dignity and grace. Kumar’s performance was devoid of overacting; instead, it focused on the minutiae of gesture, eye movement, and emotion. The performance earned him his second National Award and remains one of the most poignant depictions of disability in Indian cinema.

            In Aandhi (1975), he played J. K., the estranged husband of a politician (played by Suchitra Sen). The role required a restrained dignity and emotional maturity that few actors could achieve with such depth. As J. K., Sanjeev Kumar carried the weight of nostalgia, disappointment, and enduring love. His chemistry with Suchitra Sen was both understated and powerful - marked by glances, unfinished sentences, and silences that said more than words.

            His most iconic role, however, remains Thakur Baldev Singh in Sholay (1975). Playing a retired police officer who loses his family to a bandit, Kumar imbued the character with stoic grief and an unflinching sense of justice. Despite sharing screen space with larger-than-life characters like Gabbar Singh (Amjad Khan), Veeru (Dharmendra), and Jai (Amitabh Bachchan), it was Kumar's silent intensity and dignified anger that left an indelible impression.

Embracing Age and Imperfection

            Long before most actors of his generation, Sanjeev Kumar began portraying older characters. At the age of 30, he played a 60-year-old man in Aashirwad (1968 stage adaptation), and he would later bring that same conviction to the screen. In Mausam (1975), Trishul (1978), and Pati, Patni aur Woh (1978), he played characters older than himself with remarkable realism.

            In Mausam, opposite Sharmila Tagore, Kumar played a man revisiting his past only to discover the damage his abandonment has caused. The film explored guilt, redemption, and human frailty, and Sanjeev Kumar's role was the spine of its emotional journey. 

            Even in comedies like Angoor (1982), where he played a double role, Kumar proved that humor, too, could be intelligent and nuanced. Gulzar’s film, based on Shakespeare’s Comedy of Errors, showed his impeccable timing and ability to portray two distinct personas in a single frame.

Gulzar once said,

“Sanjeev was not just an actor; he was a complete story in himself. He brought silence to life.”

The Bachelor and the Recluse

            While his on-screen life was filled with emotional highs and lows, Sanjeev Kumar's personal life remained famously solitary. Despite being linked to several actresses, most notably Hema Malini, he never married.

            There are stories - perhaps apocryphal, perhaps true - of Kumar proposing to Hema Malini, who gently turned him down. When she later married Dharmendra, Kumar is said to have retreated further into solitude. Friends describe him as a man who craved companionship but never forced it, preferring emotional honesty over pretense.

            His bachelorhood became part of his mystique. He remained devoted to his craft, his friends, and his family - particularly his younger brother, Nakul, and his nieces and nephews. A large circle of friends and co-stars, including Gulzar, Jaya Bhaduri, and Shashi Kapoor, remember him fondly as warm, witty, and intensely private.

A Declining Body, a Restless Spirit

            Behind the quiet demeanor and luminous performances was a man battling serious health issues. Sanjeev Kumar suffered from a genetic heart condition. His father and brothers had died young from heart ailments, and Kumar himself had a bypass surgery in his early 40s.

            Even during his declining years, Kumar worked relentlessly. His body may have been deteriorating, but his spirit remained hungry for roles. He was shooting for multiple films, sometimes simultaneously, often masking pain behind his performances.

            On November 6, 1985, Sanjeev Kumar passed away due to a massive heart attack at the age of just 47. His death shocked the industry. He left behind several unfinished films - some of which were later completed using body doubles and creative editing.

Gulzar paid tribute with these words:

“He died with roles still waiting for him. He didn’t act - he lived those characters.”

Testimonials and Tributes

·         Amitabh Bachchan, his co-star in Sholay, once remarked:

                “There was a rare humility in Sanjeev. He didn’t chase stardom; he chased excellence.”

·         Jaya Bachchan remembered him as the most “giving” co-actor she ever worked with:

“He could be tragic without being theatrical, and comic without being crass.”

 

·         Hema Malini, years after his death, said:

“There was pain in him. He never wore it on his sleeve, but it was there, in his eyes, in his silences.”

A Legacy of Realism and Emotional Courage

            Sanjeev Kumar's cinematic journey was not about escapism but confrontation - with sorrow, with joy, with disability, with age, with loneliness. In an industry that glorified youth, beauty, and eternal romance, Kumar championed the flawed, the tired, the resigned, and the human.

            His legacy lives on not in box office records, but in the quiet admiration of film lovers who value performance over posturing. From Anubhav to Namkeen, from Aandhi to Angoor, he painted a gallery of Indian men across age, class, and condition - with truth and tenderness.

            Today, as younger actors revisit realism and emotional authenticity, Sanjeev Kumar stands as a pioneer - a man who found power in silence, who embraced solitude without bitterness, and who explored sensitivity without shame.

Notable Films: Sanjiv Kumar’s Some Defining Screen Appearances

 

            Khilona (1970), Dastak (1970) - National Film Award, Best Actor, Koshish (1972) - National Film Award, Best Actor, Aandhi (1975), Sholay (1975), Mausam (1975), Trishul (1978), Pati, Patni aur Woh (1978), Angoor (1982), Namkeen (1982), Hero (1983), Takkar (1980), Yehi Hai Zindagi (1977) & Qatl. (1986).

The Final Frame 

            In his short life, Sanjeev Kumar created a body of work that continues to inspire. He redefined what it meant to be a hero - not one who fought villains or danced around trees, but one who confronted inner demons and lived emotional truths. He played flawed men with such dignity that audiences loved them despite, or perhaps because of, their imperfection.

            Sanjeev Kumar didn’t just act in films; he offered a mirror to life - unpolished, painful, beautiful. In doing so, he gave Indian cinema its most tender face and most truthful voice.

The Voice of a Generation - Amitabh Bachchan’s Journey from Angry Young Man to Eternal Icon

    Amitabh Bachchan. The name alone evokes images of burning intensity, iconic baritones, and towering charisma. In the vast galaxy of Indian cinema, no star has loomed larger, fallen deeper, and risen more gloriously than this living legend. From facing rejection early in his career to becoming the very face of Bollywood across generations, Bachchan’s life is a tale of grit, talent, transformation, and triumph.

Early Life: The Poet’s Son with a Dream

    Amitabh Harivansh Rai Bachchan was born on 11 October 1942 in Allahabad (now Prayagraj), Uttar Pradesh, to the celebrated Hindi poet Harivansh Rai Bachchan and social activist Teji Bachchan. His early exposure to the arts and literature shaped his sensibilities. However, it was not poetry but the magic of cinema that captured his imagination.

    Educated at Sherwood College, Nainital, and later at Delhi University’s Kirori Mal College, Amitabh was known for his tall frame, deep voice, and serious demeanor. Yet, early on, it seemed Bollywood had no room for him. His voice, which would one day become his signature, was considered “too deep” for mainstream cinema. 

    In fact, one of his earliest rejections came from All India Radio, where he was told his voice was unsuitable. Little did they know that this very voice would one day become the sound of a nation.

Breaking Through: Saat Hindustani to Zanjeer

    Amitabh’s film debut came in 1969 with Saat Hindustani, a patriotic ensemble drama directed by Khwaja Ahmad Abbas. Though the film did not achieve commercial success, Bachchan won the National Award for Best Newcomer. Still, his journey to stardom remained elusive. He was cast in several films during the early 1970s, often in supporting roles or as part of ensemble casts.

    It was 1973’s Zanjeer  that changed everything. Cast as Inspector Vijay, a brooding, silent hero fuelled by injustice and personal loss, Bachchan captured the collective angst of a generation. India, grappling with political unrest and societal changes, found its cinematic voice in him - the “Angry Young Man.” The film was a smash hit, redefining the template of Hindi film heroism. 

    From there, Amitabh Bachchan’s ascent was meteoric.

The 1970s and 1980s: The Reign of the Angry Young Man

    What followed was a string of legendary performances that turned Bachchan into a cultural phenomenon. Deewaar (1975), Sholay (1975), Kabhi Kabhie (1976), Amar Akbar Anthony (1977), Trishul (1978), Don (1978), Muqaddar Ka Sikandar (1978), and Kaala Patthar (1979) showcased his versatility - heroic, romantic, intense, comic, and tragic - all rolled into one. 

        His portrayal of Vijay in Deewaar remains etched in public memory, especially the iconic temple scene. Scripted by Salim-Javed and directed by Yash Chopra, Deewaar solidified Bachchan’s screen persona - a rebellious son shaped by society’s inequities.

       In Sholay, despite being a quiet Jai to Dharmendra’s flamboyant Veeru, Bachchan’s understated presence, chemistry with Jaya Bhaduri (his real-life wife), and tragic end added emotional depth to the film’s action-packed narrative. The film remains India’s most iconic blockbuster.

     The late ’70s saw him balancing intense roles with crowd-pleasing entertainers. Amar Akbar Anthony revealed his comic timing, while Don gave him a double role of charm and menace.

         Amitabh wasn’t just a star - he was a phenomenon. Fans wrote letters in blood. Temples were built in his name. Street kids wore bell-bottoms and spoke in his style. He wasn’t playing roles; he was shaping masculinity, class rebellion, and urban angst on screen.

The Coolie Accident: Brush with Death

      On 26 July 1982, while shooting an action scene for Coolie at Bangalore’s University campus, disaster struck. A mistimed punch from co-star Puneet Issar during a fight scene led to Amitabh suffering a near-fatal abdominal injury. He was rushed to the hospital, underwent multiple surgeries, and slipped into a coma.

        The nation held its breath.

       For weeks, news bulletins tracked every medical update. Crowds prayed outside the hospital. Blood donation camps were organized en masse. Prime Minister Indira Gandhi, a family friend, visited him. It was a rare moment when a film actor became a matter of national concern.

    He finally regained consciousness, but the road to recovery was long and painful. Coolie was completed with adjustments, and in a touching tribute, the moment of injury was retained in the final cut and freeze-framed with a message thanking audiences for their prayers.

      Amitabh emerged from the accident physically frailer but more spiritually introspective. It was a turning point in his life.

Personal Life: Love, Family, and Loyalty

      In June 1973, Amitabh Bachchan married Jaya Bhaduri, a successful actress known for her girl-next-door charm. Their wedding was hastily arranged before the release of Zanjeer, amid growing speculation of their romance.

    The couple has two children - Shweta Bachchan Nanda and Abhishek Bachchan. Despite the pressures of stardom and reported rumours of linkups (most famously with Rekha), the Bachchan family has largely presented a united and dignified front. Jaya’s quiet strength and unwavering support have often been credited as the foundation of Amitabh’s enduring success.

        Son Abhishek eventually followed in his father’s footsteps, forging a respectable career of his own in Bollywood. Daughter Shweta chose a more private life, becoming a columnist and author.

Political Stint: A Misstep in the Public Eye

        In 1984, urged by friend Rajiv Gandhi, Amitabh Bachchan contested and won a Lok Sabha seat from Allahabad by a landslide. However, the world of politics, riddled with mudslinging and compromises, was not for him.

        He resigned after three years, disillusioned, famously stating, “I entered politics with pure motives, but it turned out to be a cesspool.” His brief political tenure did more harm than good - dragging him into the Bofors scandal (though never proven guilty) and temporarily affecting his spotless image.

The ’90s Downslide: Bankruptcy and Irrelevance

        The 1990s were perhaps the most difficult decade of Bachchan’s professional life. His films failed to impress. His production house, Amitabh Bachchan Corporation Ltd. (ABCL), launched amid much fanfare, faced severe financial troubles.

     By the mid-1990s, the superstar was reportedly bankrupt. He mortgaged his bungalow “Prateeksha,” faced court cases, and was written off by the media. Bollywood had moved on to younger stars. Critics declared him “finished.”

        But if there's one thing history teaches us, it’s never to underestimate Amitabh Bachchan.

Kaun Banega Crorepati: The Phoenix Rises

        In 2000, Bachchan made his television debut as the host of Kaun Banega Crorepati (KBC), India’s version of Who Wants to Be a Millionaire? Skeptics scoffed - how could a film legend be reduced to asking questions on TV?

        But from the first “Fastest Finger First,” audiences were hooked.

     With his baritone voice, polite demeanor, and towering presence, Bachchan brought gravitas and warmth to the show. KBC became a cultural sensation, breaking TRP records. More importantly, it resurrected Amitabh Bachchan’s career and made him relevant to an entirely new generation.

KBC wasn’t just a game show. It was redemption.

He once said, “I came to KBC with broken finances, broken health, and broken morale. The show restored all three.”

The 2000s and Beyond: The Reinvention 

       Post-KBC, a new Amitabh Bachchan emerged. No longer the invincible hero, he embraced age with grace. Mohabbatein  (2000) portrayed him as a stern headmaster. Baghban (2003) struck a chord with middle-class audiences. Black (2005) earned him unanimous critical acclaim. In Sarkar and Paa, he transformed himself into characters far removed from his earlier persona.

      Filmmakers like R. Balki, Shoojit Sircar, and Anurag Kashyap explored his range further in films like Cheeni Kum, Piku, Pink, and Gulabo Sitabo.

       At an age when most retire, Amitabh works more than ever - reading scripts, shooting films, hosting shows, and blogging daily.

The Voice: His Greatest Instrument

If his face is iconic, his voice is immortal.

    Amitabh Bachchan’s deep baritone became the benchmark for narration and gravitas in Indian cinema. Be it Lagaan, Parineeta, or Kahaani, his voiceovers added weight and emotion. Advertisers, documentarians, and musicians all sought “The Voice.” In fact, his voice alone is often credited with lifting average material into the extraordinary.

            As Shah Rukh Khan once said, “When Amitabh Bachchan speaks, the nation listens.”

Awards, Honors, and Global Recognition

            Amitabh Bachchan’s shelf groans under the weight of accolades. Among them:

 

·         Dadasaheb Phalke Award (2019) for lifetime achievement.

·         Four National Film Awards for Best Actor.

·         Fifteen Filmfare Awards and countless nominations.

·         Padma Shri (1984), Padma Bhushan (2001), and Padma Vibhushan (2015).

·         Knight of the Legion of Honour, France’s highest civilian award.

       Beyond awards, his wax figure at Madame Tussauds, Time magazine mentions, and Oxford debates underscore his global appeal.

Testimonials: Words from Peers and Protegés

 

·         Rajinikanth.  “He is not just a star, he is a university of acting.”

·         Shah Rukh Khan.  “There is the sun, the moon, and then there is Amitabh Bachchan.”

·         Vidya Balan.  “Even after so many years, he rehearses like a newcomer. That’s greatness.”

·         R. Balki.   “He’s not just relevant - he is timeless.”

Legacy: The Bachchan Name

            Today, Amitabh Bachchan is not just a man. He is an institution. His family continues his legacy:

 

·         Abhishek Bachchan, carving his space with films like Guru, Yuva, and Dasvi.

·         Aishwarya Rai Bachchan, his daughter-in-law, a global star and former Miss World.

·         Shweta Bachchan Nanda, a public figure and author.

·     Navya Naveli Nanda, his granddaughter, emerging as a youth entrepreneur and women’s health advocate. 

Through them, and through his films, his legacy continues to evolve. 

Conclusion: An Icon for the Ages

       From Saat Hindustani to Piku, from rejection to reverence, from the hospital bed in 1982 to the KBC hotseat in 2000 - Amitabh Bachchan has lived many lifetimes in one. His career reflects the story of India itself: post-colonial, chaotic, aspirational, and ultimately triumphant. 

       He once wrote, “Main aaj bhi phenke hue paise nahi uthata”, and indeed, he never needed to. What he picked up instead were the hopes, dreams, and tears of millions. He spoke for a nation. And he still does.

         Amitabh Bachchan is not the past of Indian cinema. He is its eternal present. 

Quote to Remember:

"Bad luck either destroys you or defines you. I chose the latter." - Amitabh Bachchan