In the vast and vibrant mosaic of Hindi cinema, certain names shimmer like gold leaf on antique scrolls - ornate, intricate, sometimes overlooked by the newer generation, but deeply etched in the memory of those who witnessed their grandeur. Among them stands Sanjay Khan, a princely figure whose cinematic journey encapsulates youthful romance, historical epics, entrepreneurial vision, and a harrowing tale of survival that redefined him. From his onscreen charm in the 60s and 70s to his monumental contribution as the man behind The Sword of Tipu Sultan, and from his devastating brush with death in a fire to his dignified family life, Sanjay Khan’s life is as gripping as any film he ever made.
Early Life: Regal Roots and Cinematic Destiny
Sanjay Khan was born Shah Abbas Khan on January 3, 1941, in Bangalore, into a family of Afghan Pathan descent. His father, Sadiq Ali Khan, was a successful businessman and his upbringing was steeped in elegance, education, and exposure to the finer things in life. The Khan household boasted strong cultural sensibilities, with music, literature, and hospitality being integral to their lifestyle. This regal environment perhaps foreshadowed his future embodiment of royal roles on screen.
The Khan family had eight siblings - six brothers and two sisters. Notably, Sanjay’s younger brothers Feroz Khan, Akbar Khan, and Sameer Khan would also find their paths intertwined with cinema. Among them, Feroz Khan would emerge as a flamboyant superstar and filmmaker, while Akbar Khan would also venture into historical filmmaking with Taj Mahal: An Eternal Love Story.
Sanjay was educated at St. Germain High School and later at Bangalore’s St. Joseph’s College before moving to Mumbai. He initially joined his father’s business but soon gravitated toward the magnetic pull of cinema. His striking looks, confident demeanour, and polished manners made him a natural fit for the silver screen.
Film Career: Romantic Hero to Regal Icon
Sanjay Khan made his debut in Chetan Anand’s critically acclaimed war film Haqeeqat (1964), where he had a supporting role. Though the film was a tribute to India’s soldiers and remains a milestone in Indian war cinema, Sanjay’s breakthrough came the following year with Dus Lakh (1966), opposite Babita. This family drama was a commercial success and cemented his place in the industry.
Throughout the late 1960s and early 70s, Sanjay Khan became a sought-after romantic and action hero. He starred in several notable films across genres:
· Intaqam (1969). A thriller where he starred opposite Sadhana, showcasing his ability to balance glamour with suspense.
· Dosti (1964). Though not in the lead, his association with Rajshri Productions and films with strong emotional narratives helped shape his image as a dependable actor.
· Ek Phool Do Mali (1969). One of his biggest commercial hits, opposite Sadhana and Balraj Sahni. The film remains memorable for its melodious music and emotional depth.
· Mela (1971), Dharkan (1972), and Nagin (1976). These films further boosted his stardom and connected him with the masses.
· Abdullah (1980). A personal and professional milestone, Sanjay starred alongside Raj Kapoor and Zeenat Aman in this desert drama that was visually opulent and emotionally rich. The film was produced and directed by Sanjay himself, marking his evolution from actor to filmmaker.
Despite not reaching the towering superstardom of his brother Feroz, Sanjay Khan carved a niche for himself as a suave, dependable actor, especially in costume dramas and emotionally intense roles.
From Actor to Auteur: Creating Historical Epics
Sanjay Khan's cinematic instincts were never limited to acting. Deeply inspired by Indian history and folklore, he saw the medium of television as a way to bring grand stories to the masses. In the late 1980s, when Indian television was beginning to expand beyond Doordarshan’s limited programming, Sanjay embarked on a mission that would redefine his legacy - The Sword of Tipu Sultan.
The Sword of Tipu Sultan (1990)
The show was based on the life of the 18th-century Mysore king, Tipu Sultan, who was known for his resistance against British colonialism. Khan not only played the titular role but also directed and produced the series under his banner Numero Uno International.
The production was massive for its time - elaborate sets, rich costumes, and a sincere attempt at historical accuracy made it a visual and narrative spectacle. It aired on Doordarshan and became one of the most watched television series of its time, bringing Sanjay immense acclaim for his vision and performance.
The Fire Tragedy: Scars That Told a Story
While filming The Sword of Tipu Sultan at the Premier Studios in Mysore on February 8, 1989, tragedy struck. A massive fire broke out on the sets due to the use of hot arc lights combined with flammable synthetic materials and lack of fire safety norms. The fire quickly engulfed the studio, leading to over 60 deaths, making it one of the deadliest incidents in Indian television production history.
Sanjay Khan was severely burned, sustaining third-degree burns over more than 65% of his body. He remained in hospital for over 13 months, undergoing 72 surgeries. The physical pain was excruciating, but the emotional and mental toll was even more daunting. His survival was considered miraculous, and his resilience became a testimony to his indomitable spirit.
· “When I was on the hospital bed, every breath I took was a challenge. But I was determined not to go down like that,” Sanjay would later recall in interviews.
His wife, Zarine Khan, stood by him unwaveringly, helping him recover emotionally and physically. His siblings, especially Feroz and Akbar, supported him throughout, and the incident brought the Khan family closer together.
Despite being disfigured and severely weakened, Sanjay returned to the same show and completed its production - a feat that underscored his commitment and courage.
Family Life: Strength and Sophistication
Sanjay Khan married Zarine Katrak, a former Miss India and model, in 1966. Their marriage has endured decades of highs and lows, emerging as one of the most enduring partnerships in the film industry. Zarine, known for her grace and strength, played a pivotal role in anchoring the family during crises, especially during Sanjay’s recovery after the fire.
Together, they have four children: Farah Khan Ali, Simone Arora, Sussanne Khan, and Zayed Khan.
· Farah Khan Ali is a celebrated jewellery designer.
· Simone Arora is an interior designer and entrepreneur.
· Sussanne Khan, also an interior designer, was married to actor Hrithik Roshan.
· Zayed Khan followed in his father’s footsteps and ventured into acting, gaining fame with Main Hoon Na (2004).
The Khan household, thus, became a modern cultural hub blending film, fashion, design, and entrepreneurship.
“My father has always been a fighter. Whether it’s about bouncing back
from a tragedy or guiding us through life’s challenges, he’s done it with grace,”
said Zayed Khan in a media
interview.
Sussanne once described her father as “the gentlest warrior” whose strength lay not in dominance but in his values and resilience.
Beyond Cinema: Author, Entrepreneur, and Cultural Figure
In 2018, Sanjay Khan released his autobiography titled “The Best Mistakes of My Life”, an evocative and candid account of his eventful journey through stardom, survival, and self-realization. The book detailed his early years, rise in Bollywood, the devastating fire, his healing, and the philosophies that shaped him.
Sanjay Khan also ventured into hospitality, launching a luxury resort named Golden Palms Hotel & Spa in Bangalore, which became a popular retreat. His interests span architecture, design, and Indian heritage - he continues to advocate for preserving India’s cultural and historical richness.
Controversies and Lesser-Known Chapters
Sanjay Khan’s life hasn’t been without controversies. One of the most talked-about incidents involved actress Zeenat Aman, his co-star in Abdullah. Allegations of a turbulent relationship and even physical assault made headlines in the 1980s. Zeenat remained silent for decades but eventually opened up about the trauma in later years, while Sanjay Khan never directly addressed the matter in public in detail.
While this remains a painful and controversial chapter, many believe it reflects the complex personal dynamics that often plague the world of fame and power.
Legacy: A Forgotten Royal in Bollywood’s Scroll
Sanjay Khan may not have the same media buzz as his contemporaries, but his impact on Indian cinema and television is undeniable. He was among the earliest actors who successfully transitioned from silver screen to television direction and large-scale production. His pioneering efforts in bringing historical epics to Indian TV laid the groundwork for shows like Chanakya, Mahabharat, and Bharat Ek Khoj.
His life is a cinematic metaphor - handsome prince, valiant hero, wounded survivor, and cultural custodian.
Quotes & Testimonials
· Zarina Khan, in an interview:
“After the fire, people told me to prepare for
the worst. But I knew my Sanjay would come back, not just survive but thrive.
That’s the man I married.”
· Zayed Khan, on his father’s legacy:
“People often talk about my father’s films,
but I think his greatest film was his life. What he endured, how he rose - there’s
a lesson in it for every one of us.”
· Farah Khan Ali, about her father's parenting:
“Dad
was always calm. Never raised his voice, but when he spoke, we listened. He led
by example.”
· Film critic Bhawana Somaaya once wrote:
“Sanjay
Khan was not just a star; he was a statesman of the screen - graceful,
dignified, and visionary.”
Conclusion: The Star Who Refused to Fade
Sanjay Khan's life stands as a compelling saga - of grandeur and grit, elegance and endurance. In an industry that often moves on too quickly, he remains a timeless figure of what it means to survive, rebuild, and contribute meaningfully even after catastrophe. Whether through the desert mirages of Abdullah, the revolutionary courage of Tipu Sultan, or the quiet wisdom of a survivor’s tale, Sanjay Khan endures as the forgotten prince of historical epics, now rediscovered in the annals of cinematic history.